Scorsese has called Contempt “brilliant, romantic and genuinely tragic,” adding that “It’s also one of the greatest films ever made about the actual process of filmmaking.” Fassbinder, Quentin Tarantino and Martin Scorsese (who paid his own homage by quoting from the Godard film’s stark, plangent musical score in Casino, and cosponsoring its re-release). It has certainly influenced a generation of filmmakers, including R.W. The film has inspired passionate praise- Sight & Sound critic Colin MacCabe may have gone slightly overboard in dubbing Contempt “the greatest work of art produced in post-war Europe,” but I would say it belongs in the running. It is both his richest study of human relations, and a film very much about a tortured kind of movie love. Contempt, one of Jean-Luc Godard’s greatest masterpieces, has a stately air that breaks with the filmmaker’s earlier, throwaway, hit-and-run manner, as though he were this time allowing himself to aim for cinematic sublimity.
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